"A Variation of Impressionism" German Impressionist Landscape Painting: LiebermannCorinthSlevogt
Sun. 09/12 | 6:00PM - Sun. 12/05 @ Museum of Fine Arts Houston (map)
Sun. 09/12 | 6:00PM - Sun. 12/05 @ Museum of Fine Arts Houston (map)
On view through December 5, 2010at the Audrey Jones Beck Building Max Liebermann, Country House in HilversumVilla in Hilversum, 1901Staatliche Museen zu Berlin, Nationalgalerie Impressionism is considered a fundamentally French artistic movement, but the international reputation of Paris as the worlds leading art center inevitably led to the dissemination of this style to other countries. Art students from all over Europe flocked to Paris to be trained at the Acadmie des Beaux-Arts or one of the many private studios. Despite the strained political relationship between Germany and France at the time, German interest in French artistic developments was particularly lively. German Impressionist Landscape Painting features more than 90 paintings by the remarkable artists Max Liebermann, Lovis Corinth, and Max Slevogt. Liebermann (18471935), who has been called "the German Manet," lived in Paris from 1873 to 1878 and subsequently became the leader of a generation of German painters, including Corinth (18581925) and Slevogt (18681932), who were inspired by the works of their colleagues based in France, such as Paul Czanne, Edgar Degas, Vincent van Gogh, douard Manet, Claude Monet, and Auguste Renoir. Liebermann, Corinth, and Slevogt were celebrated as the "triumvirate of German Impressionism." Although none of the three was exclusively a landscape artist, their landscapes present an opportunity to trace the development of a particular kind of German Impressionism through works of the highest quality. Organized by the MFAH and the Wallraf-Richartz-Museum & Fondation Corboud in Cologne, Germany, German Impressionist Landscape Painting is the first major exhibition in the United States devoted to this subject in 30 years. The concurrent exhibition Drawing from Nature: Landscapes by Liebermann, Corinth, and Slevogt, on view exclusively at the MFAH, presents works on paper by the three artists.
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Featuring more than 90 paintings by the remarkable artists Max Liebermann, Lovis Corinth, and Max Slevogt. Despite the strained political relationship between Germany and France, German interest in French artistic developments was particularly lively. more at www.29-95.com
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